There are no windows in the cattle car. Shand can't see his own hand in front of his face, but he can feel how full this lurching metal box is, the dampness of short breaths crowding the air, the hushed cries that still echo off the walls.
There are no windows and Shand can't tell if it's day or night, only that they've been moving, accompanied by the mind-numbing grate of metal scraping metal for hours that bled over into more hours until he wonders if any memory he has outside of this box car might actually be a dream.
There are no windows, but he can tell it must be snowing outside. The way the air is biting, sharp, prickling with the cold. The way the metal floor where they're huddled hurts, stings at his bones.The way the static electricity sparks his skin when Dakara moves suddenly to grab his hand. Her skin is cold, so much that it jolts him a bit. He grabs it tight, and she's shivering, or trembling, or crying silently.
The cattle car jets backward and then throws them forward, and they collide with other cold, shaking bodies and everyone is holding their breath- a collective, stifled scream smothering in each of their throats, like they're all choking to death on their fear.
The sliding door grates open suddenly and the only light flooding the car now is dim, yellowed moonlight and sharp flashlight beams. Shand shields his face with his forearm, but the light still shows the box car packed to capacity and then some, all dirty and worn and terrified faces, soot and rust streaked clothes, children clinging to mothers. Some people stretched out, some crumpled, in the frozen metal floor, not moving.
Even as the harsh yells of the men with the flashlights get them moving, herded out of the car and into the night. Shand fills his lungs deeply with the fresh air in relief, but the sight of car after car in the endless train behind them, all emptying of more poor souls, and nothing but snowcapped pines ahead of them, replaces the relief with more dread.
Someone jabs the back of Shand's shoulder hard, and he doesn't dare look behind him to see if it had been with a flashlight or the business end of a rifle. He just pulls Dakara closer to him, her face shadowed but ashen, as the large group that forms starts to shuffle at gunpoint into the dark forest.
The snow is crunching under Shand's scuffed, holey shoes and this has always been such a pure sound. The world turning into a bright white wonderland, where everything is a source of awe and wonder.
He feels sick, heat rolling in his stomach that he'd much rather feel in his numb extremities or his face as they continue their hurried march miles into a forest without landmarks, with no clear directional markers.
They walk for hours, and no one says a word. Only men with guns yelling in a language that sounds harsh and foreign to shand. Only gentle snowfall and snow crunching pristinely underfoot. It feels like a dream, unnatural, unnerving, like he's going to wake up any second in a warm bed, somewhere where the people speak more softly, where it's warmer and brighter. Somewhere his feet don't feel like frozen iron deadweight and somewhere the night doesn't last forever.
Everything looks the same so Shand isn't paying attention when Dakara pulls his back hard, stops him short from falling into a huge, packed down opening in the earth right in front of them. The bottom, some twelve feet down, is covered already in snow.
People are pushed up all around them, lining the sides of the huge precipice, and Shand knows Dakara doesn't understand yet what's going on. How could she? She grew up loved, protected, far away from war for as long as possible.
He hadn't. So he knows they're standing at the edge of a mass grave. Their's.
He looks over at her for the first time since they'd started the track and her face is haggard, eyes dark and sunken and tired, matte strings of red hair clinging to cheeks that are so pink, they make the rest of her face look even more pale. But he can see in her eyes, in the way they widen slowly, that it's starting to dawn on her.
She deserves to understand. But he can't bring himself. There isn't enough time anyway.
Shot start hollowly off into the night, far away at first, inciting the cries, the bloodcurdling screams and steam curling up into the air like some nightmare creature's ghostly fingers. Dakara grabs his shirt with both hands and just clings, and he can hear her heartbeat from where he's standing. He's not sure why, but he's not scared yet.
The shots get closer, echo less, start to ring in his ears and rattle in his brain more, and the heavy plods coming from the bottom of the grave get faster, one after the other after the other, like they'll never stop. The otherworldly silence is gone, eaten alive by every sound hell can conjure.
Dakara falls first, her eyes growing wide at the red splotch that appears on the chest of her shirt, how it instantly expands outward, and her grip on Shand's shirt tightens. She's stumbling backward, her mouth open in a silent cry, pulling him with her as her back foot fails to find earth.
As he loses his footing, his shoulder burns from behind, like fire is tunneling through him, and his shirt has its own pinprick of red that eats hungrily outward in an instant. He sees Dakara's mouth go slack, something on her face harden, a confusion, a dread cemented in her grimace. He remembers the quiet taking over halfway down, thinks its probably like how it must sound right in between the doomed cacophony of the earth and the peaceful nothingness of the underworld.
He doesn't remember ever hitting the bottom of the grave.
There are no windows and Shand can't tell if it's day or night, only that they've been moving, accompanied by the mind-numbing grate of metal scraping metal for hours that bled over into more hours until he wonders if any memory he has outside of this box car might actually be a dream.
There are no windows, but he can tell it must be snowing outside. The way the air is biting, sharp, prickling with the cold. The way the metal floor where they're huddled hurts, stings at his bones.The way the static electricity sparks his skin when Dakara moves suddenly to grab his hand. Her skin is cold, so much that it jolts him a bit. He grabs it tight, and she's shivering, or trembling, or crying silently.
The cattle car jets backward and then throws them forward, and they collide with other cold, shaking bodies and everyone is holding their breath- a collective, stifled scream smothering in each of their throats, like they're all choking to death on their fear.
The sliding door grates open suddenly and the only light flooding the car now is dim, yellowed moonlight and sharp flashlight beams. Shand shields his face with his forearm, but the light still shows the box car packed to capacity and then some, all dirty and worn and terrified faces, soot and rust streaked clothes, children clinging to mothers. Some people stretched out, some crumpled, in the frozen metal floor, not moving.
Even as the harsh yells of the men with the flashlights get them moving, herded out of the car and into the night. Shand fills his lungs deeply with the fresh air in relief, but the sight of car after car in the endless train behind them, all emptying of more poor souls, and nothing but snowcapped pines ahead of them, replaces the relief with more dread.
Someone jabs the back of Shand's shoulder hard, and he doesn't dare look behind him to see if it had been with a flashlight or the business end of a rifle. He just pulls Dakara closer to him, her face shadowed but ashen, as the large group that forms starts to shuffle at gunpoint into the dark forest.
The snow is crunching under Shand's scuffed, holey shoes and this has always been such a pure sound. The world turning into a bright white wonderland, where everything is a source of awe and wonder.
He feels sick, heat rolling in his stomach that he'd much rather feel in his numb extremities or his face as they continue their hurried march miles into a forest without landmarks, with no clear directional markers.
They walk for hours, and no one says a word. Only men with guns yelling in a language that sounds harsh and foreign to shand. Only gentle snowfall and snow crunching pristinely underfoot. It feels like a dream, unnatural, unnerving, like he's going to wake up any second in a warm bed, somewhere where the people speak more softly, where it's warmer and brighter. Somewhere his feet don't feel like frozen iron deadweight and somewhere the night doesn't last forever.
Everything looks the same so Shand isn't paying attention when Dakara pulls his back hard, stops him short from falling into a huge, packed down opening in the earth right in front of them. The bottom, some twelve feet down, is covered already in snow.
People are pushed up all around them, lining the sides of the huge precipice, and Shand knows Dakara doesn't understand yet what's going on. How could she? She grew up loved, protected, far away from war for as long as possible.
He hadn't. So he knows they're standing at the edge of a mass grave. Their's.
He looks over at her for the first time since they'd started the track and her face is haggard, eyes dark and sunken and tired, matte strings of red hair clinging to cheeks that are so pink, they make the rest of her face look even more pale. But he can see in her eyes, in the way they widen slowly, that it's starting to dawn on her.
She deserves to understand. But he can't bring himself. There isn't enough time anyway.
Shot start hollowly off into the night, far away at first, inciting the cries, the bloodcurdling screams and steam curling up into the air like some nightmare creature's ghostly fingers. Dakara grabs his shirt with both hands and just clings, and he can hear her heartbeat from where he's standing. He's not sure why, but he's not scared yet.
The shots get closer, echo less, start to ring in his ears and rattle in his brain more, and the heavy plods coming from the bottom of the grave get faster, one after the other after the other, like they'll never stop. The otherworldly silence is gone, eaten alive by every sound hell can conjure.
Dakara falls first, her eyes growing wide at the red splotch that appears on the chest of her shirt, how it instantly expands outward, and her grip on Shand's shirt tightens. She's stumbling backward, her mouth open in a silent cry, pulling him with her as her back foot fails to find earth.
As he loses his footing, his shoulder burns from behind, like fire is tunneling through him, and his shirt has its own pinprick of red that eats hungrily outward in an instant. He sees Dakara's mouth go slack, something on her face harden, a confusion, a dread cemented in her grimace. He remembers the quiet taking over halfway down, thinks its probably like how it must sound right in between the doomed cacophony of the earth and the peaceful nothingness of the underworld.
He doesn't remember ever hitting the bottom of the grave.